CURRENT/UPCOMING EXHIBITIONS:

BRITISH ART SHOW 9

 

22nd January - 10th April 2022: Wolverhampton:

Wolverhampton Art Gallery and University of Wolverhampton School of Art

 

13th May - 4th September 2022: Manchester:

HOME; Manchester Art Gallery; Castlefield Gallery; The Whitworth and the Centre for Chinese Contemporary Art (CFCCA)

6th October 2022 - 23rd December 2022: Plymouth:

The Box, Plymouth; KARST; The Arts Institute’s Levinsky Gallery and The Gallery at Plymouth College of Art

The British Art Show is the biggest touring exhibition of contemporary art in the UK and it is widely acknowledged as the most important recurrent exhibition of contemporary art produced in this country, unrivalled in its ambition, scope and national reach. The exhibition will be presented across numerous galleries and exhibition spaces in each city, resulting in an ambitious and wide-ranging programme that explores new tendencies in artistic practice.

 

The artists in British Art Show 9 are: Hurvin Anderson, Michael Armitage, Simeon Barclay, Oliver Beer, Zach Blas, Kathrin Böhm, Maeve Brennan, James Bridle, Helen Cammock, Than Hussein Clark, Cooking Sections (Alon Schwabe & Daniel Fernández Pascual), Jamie Crewe, Oona Doherty, Sean Edwards, Mandy El-Sayegh, Mark Essen, Gaika, Beatrice Gibson, Patrick Goddard, Anne Hardy, Celia Hempton, Andy Holden, Joey Holder, Marguerite Humeau, Lawrence Lek, Ghislaine Leung, Paul Maheke, Elaine Mitchener, Oscar Murillo, Grace Ndiritu, Uriel Orlow, Hardeep Pandhal, Hetain Patel, Florence Peake, Heather Phillipson, Joanna Piotrowska, Abigail Reynolds, Margaret Salmon, Hrair Sarkissian, Katie Schwab, Tai Shani, Marianna Simnett, Victoria Sin, Hanna Tuulikki, Caroline Walker, Alberta Whittle, Rehana Zaman

BOOK RELEASES:

A FEMALE GAZE: CAROLINE WALKER PAINTINGS AND DRAWINGS WITH THE WORK OF LAURA KNIGHT

 

A Female Gaze explores the paintings and drawings of contemporary artist Caroline Walker through the lens of Laura Knight, arguably Nottingham's most famous artist and the first woman to be elected a Royal Academian.

Separated by 100 years, both artists are united through their observations of women in everyday life, from moments of motherhood to women at work and the mundanity of domestic life.

With essays by Jennifer Higgie and Tristram Aver, this book contributes to rebalancing the gender bias legacy within art history, while celebrating the powerful artistic qualities of two extraordinary painters.

This book was published to accompany a major Nottingham Castle Trust exhibition, 'Laura Knight and Caroline Walker: A Female Gaze'.

Published by Beam Editions, Nottingham.

 

 

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BIRTH REFLECTIONS

 

Published to coincide with two concurrent exhibitions at London’s Fitzrovia Chapel and The Street Gallery, University College Hospital. The catalogue for Birth Reflections features images of all the works on view in both presentations, including paintings, oil studies and ink drawings. New texts include an essay by Hannah Watson, Chair of The Fitzrovia Chapel, and an interview between Caroline Walker and Guy Noble, Arts Curator at University College London Hospital.

 

 

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WINDOWS

 

Published by GRIMM on the occasion of "Windows", Caroline Walker's solo exhibition at KM21, Kunstmuseum in The Hague (NL)., 2021

 

Design: Sebastiaan Brandsen

Essay: Benno Tempel

Texts: Jorien de Vries
Editors: Sebastiaan Brandsen, Jorien de Vries

Printed: robstolk® Amsterdam

 

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THE ANOMIE REVIEW OF CONTEMPORARY BRITISH PAINTING 2

 

Sixty contemporary painters born or living in Britain discussed through national and international solo exhibitions of their work.

 

Following the success of ‘The Anomie Review of Contemporary British Painting’ in 2018, a second volume has been created to showcase solo exhibitions that have defined contemporary painting in Britain since the first volume. This new, larger anthology presents the work of sixty artists born or living here through documentation and discussion of solo exhibitions of their work in museums and galleries around the UK and internationally. Featuring artists at different stages of their careers, from senior figures exhibiting at major museums to emerging artists presenting some of their first commercial gallery exhibitions, ‘The Anomie Review of Contemporary British Painting 2’ offers an overview of recent activity in the medium of painting in this country.

 

Compiled and written by Matt Price
Designed by Joe Gilmore

Published by Anomie Publishing, London

 

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WOMEN’S WORK: EXHIBITION CATALOGUE

MAC has published a catalogue for the exhibition Women's Work by Caroline Walker. Along with images and accreditations of the artworks featured in the exhibition, the catalogue also includes a foreword by Deborah Kermode, MAC CEO & Artistic Director, with academic essays written by Tracey Warren, Professor of Sociology at the University of Nottingham, and Griselda Pollock, Professor of Social and Critical Histories of Art at the University of Leeds.

Edited by Jenine McGaughran, published by Midlands Arts Centre, Birmingham, 2021

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JANET

A 152pp hardback publication, Janet, will be published to coincide with the exhibition ‘Janet’, opening at Ingleby Gallery in October 2020. Featuring over eighty illustrations of the preparatory studies and paintings (and designed by Joanna Deans, Identity, with photography by Peter Mallet) the book is produced by Ingleby, Edinburgh, and printed by Die Keure, Bruges.

 

It is co-published by Ingleby and Anomie Publishing, London in an edition of 1500 copies.

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